Fishing in Beirut

March 1, 2010

Part 4: Causality (scene 11)

Filed under: Character : Aria, Part 4 : Causality — fishinginbeirut @ 10:10

He kept on sending letters. Aria was at the kitchen table, the clock at half past one, and she read through once more, slowly.
It was wrong. She could not continue this correspondence, though she knew he meant her well. It was all too long ago. Placing the letter down, she clasped her hands together, stretching. A page swept off the table.
He was a guy she’d met in LA. Visiting some friends there, in her 16 year old summer, she’d met this English DJ and told him all her thoughts. They’d held each other’s hand. They’d written for a while, but then she changed her mind. Things became difficult in her life. Since she moved to Paris, he’d got back in touch.
This letter today was the sixth. The first had come in March, after a silence of two and a half years. It had been exciting, and she’d replied instantly. Told him all her news. He knew nothing of the trauma, the pictures or the pain, but that’s not what she mentioned, because it was the past.
And this was exactly the problem.
How to talk to someone who doesn’t know you now? She guessed he must be 23. Did he not understand this? You don’t drive a nail into the empty sky. She had stopped writing after the third letter. It just seemed better that way. She picked the fallen page up, and placed the whole thing back in its envelope. She smoothed the tiny creases.
Today was easy sunshine. It was the middle of June, the 18th. She poured a glass of water. She leaned out the window and looked at the trash cans, spilling a few drops as she did so. Today she was free from work.
She went for a walk by the canal. She watched the rippling water. A Twix wrapper struggled for life, ducking under and re-emerging, and Aria on the bank smelt smoke from a cigarette. She stopped and stood in silence.
This neighbourhood felt real to her, her flatmate and her flat. The bakery, the streets. Rue Bichat, rue Alibert, rue Saint Maur. A taxi motored past. She sat down by the water, and trailed her finger in the flow. She knew three different bakeries, and they varied greatly in quality.
Why was he writing now? Should she be scared or not? She felt probably not. She flicked her wet hand, and water splashed on the concrete. It made a peculiar design. It might have been a troll’s face, but there is no such thing as trolls. She made another pattern alongside it.
There was something she wanted to feel. A definitive reaction to these letters. She wanted to feel a definitive reaction, and know her mind, unequivocally. What did she think of him writing?
Later she went to the movies. It was enjoyable how so many in Paris went on their own. All these small cinemas, no popcorn, no lights, and you sat comfortably with strangers, happy in the dark. She was mid-way down, sharing the space with six others.
It was a Spanish movie. Hable con Ella. Parle avec Elle. Talk to Her. Aria watched with full concentration – crystal images, Spanish words, French subtitles. Music from hearts that were lonely. She tied back her hair.
The film was low and gentle, the kind you’d like to speak of with a stranger in an airport. The silence of a coma. She cried a little, with the music and the pulse. She smiled. There was a woman somewhere sniffling in the gloom, talking calmly to herself. It wasn’t annoying at all.
Aria saw this film as being about belief. A belief some might find intolerable perhaps. It was bubbling up with truth. When she left the cinema, which was just off rue Beaubourg, she walked over to the piazza and sat looking up at the Centre Pompidou. There were tourists all around.
She got up suddenly and left. Crossing rue Beaubourg, she entered le Marais, and strolled easily down rue Rambuteau. There was a cranky old man selling strawberries. He shouted gruff obscenities at passers-by, insulting both his customers and those who ignored him. Aria was among the latter.
She reached the intersection with rue du Temple. Turning left would have pointed her homeward, so she went straight through. Why go home when it’s sunny? The streets were clean here, the moneyed and tourists mixing freely. Catty men leaned from extortionate boutiques.
She was on rue des Francs Bourgeois. There was sunshine on the street. She walked its length, arriving at Boulevard Beaumarchais, and turning right onto Place de la Bastille. Over the far side, skaters were practising.
A man laughed easily, sitting outside a smart looking café. His companion took his hand. She rolled it softly in hers, and Aria saw this in passing, all the tiny moments of the moving, living mass. A dog inspected a lamp post.
She sat down for a while, and watched the skaters. This was all the boys ever did back home. They jumped and rolled and tripped and crashed, and there was padding, and a lingo. She was sure there was a French lingo too. She flicked a fly from her trainers.
Traffic kept occasionally obscuring her view. Whenever one of them completed a manoeuvre, he immediately engaged in a complicated handshake with all the others. White boys, with their slaps and chest thumps. They nodded and kept their cool, balancing and failing, and starting once again.
“You are American, I believe.”
A man sat down beside her, lighting a cigarette.
She shifted, startled a little, this thick French accent taking her by surprise. Her body folded and curled.
“Tell me your name, American girl. Beautiful American girl.”
She went to get up, but his hand touched her arm.
“Beautiful American girl.”
She froze for a moment, but then turned to look at him full on. A smoker’s face, searching eyes. He coughed twice, and she thought he must be in his forties, a sleepy rumble in his chest. His hand went to brush her hair.
She was walking quickly. She was conscious of nothing, just her movement on the street, and all her tingling senses were honed in on this act. The muscles were tight. She dodged pedestrians, rounded bends, kept her body streamlined as she cut through gaps and space. Eventually she began to slow, and finally stopped and shook.
The energy expelled, and she knew she was alright. She smiled in sweet relief. No, she definitely wouldn’t be writing to that guy from LA.

February 25, 2010

Part 4: Causality (scene 7)

Filed under: Character : Aria, Part 4 : Causality — fishinginbeirut @ 10:02

Aria was at work. Customers came and went – coffee, bagels and currency, blurrily changing hands. She sighed and wiped her brow. It was another two hours before she finished, and she was feeling stressed today, being the only one on the till. Someone was looking for banana bread.
She explained it was gone and he didn’t understand, and she had to explain again, feeling stupid and pretty pissed. “It is gone?” he said in faltering English, like they always do, when they just won’t listen to your French. “Yes,” she answered. “That’s what I already told you.”
The owner came in, and observed her, hawk-like, from a distance. She was paranoid about staff giving so much as a biscuit to a friend. She hovered in a corner, fingers clicking, and pursed her mouth as if trying to remove a gum-trapped morsel. Aria tried to ignore her.
The smell of the bagels was sick-sweet. In the beginning, she had loved their taste and smell, but now they made her queasy, and she never took one herself. Still, the job was fine and untaxing, and if it didn’t feel that way today, at least she was aware this was an exception. She tied back her hair during a free moment.
“Hey,” said Laura, brandishing a student paper. She’d just walked in off the street. The owner visibly stiffened, Aria noticing out of the corner of her eye. She contemplated giving Laura a whole pack of biscuits, and giggled in her mind. Laura had made page six of the paper.
“Look,” she said. “It’s that thing I wrote about Lorca. I really didn’t think they’d print it.”
Aria wanted to read it, but unfortunately she couldn’t right then. It would have been tantamount to biscuit-giving in the eyes of some. A guy wanted to pay for a cappuccino, and she clanged open the cash register and deposited the change. The owner left abruptly.
“Read it to me,” said Aria. “I want to hear it, but I just can’t read right now. Go on, there aren’t too many customers.”
“OK,” said Laura. “It’s not too long anyway.”
She folded the paper and cleared her throat. Aria laughed, and Laura started reading.

“Garcia Lorca and the Children Still Unborn,” she declared, “by Laura Taylor.”

“‘We walk on
an unsilvered
mirror,
a crystal surface
without clouds.
If lilies would grow
backwards,
if roses would grow
backwards,
if all those roots
could see the stars
and the dead not close
their eyes,
we would become like swans.’

– “Earth” by Federico Garcia Lorca

“Lorca was…” Laura began, and then the owner cut her short. “I don’t pay you for this,” she said in English. Aria coughed and apologised, and Laura stepped back in surprise. Neither of them had seen her re-enter. Aria messed with her hair, and Laura moved towards the doorway. The owner exhaled dramatically.
There were no customers to deal with in that moment, so Aria was forced to busy herself doing nothing, while she was silently rebuked. Needless to say, it was a long moment. She heard a car horn from outside, and the yell of some irate pedestrian. A DJ yapped on the radio.
Eventually the owner left again, skulking away like a creature of the night. Aria relaxed, and rolled her shoulders. She felt like a scolded schoolgirl, and fiddled with a sugar packet as a distraction. Nobody in the café now. Very soon this day would be over, or at least this portion of it. She would not be regretting its loss.
The sun spread out on the tile floor, revealing dirt patches she thought she’d cleaned. She turned off the radio abruptly. The bagel smell wafted round her, and all the other smells and sounds. The coffee, the coffee machine. She looked at the mop in the corner, at the tea towel on the counter. “As long as there is people, there’ll be sun and death and rain,” said a sign on the wall. Aria yawned in boredom.
A woman came in and ordered soup, and so it was Aria and this woman together alone, the server and the served, like a woodcarving or a sketch. Supermarket soup, at a price to make you blush.
“Oh, c’est delicieuse,” exclaimed the woman, beaming.
Aria thanked her and smiled.
“C’est vraiment delicieuse,” the woman repeated, the type of woman who would never buy supermarket soup. “Mmm, mmm!”
Aria went back behind the counter, and asked her if she wanted the radio on. She didn’t, and the silence was sweet. They each went about their business in the afternoon, the woman eating, and Aria cleaning absently. She dusted and pottered about.
The clock wound on, and then she could finally close the shop. The metal shutters rolled down, and she was free for the day, and happy. The sun hit her pupils, or her retinas, or whatever part increases the seratonin levels and gives you that smiley something. She passed down the street like a leaf.
She made a detour by the river, and leaned against the wall on Pont Neuf, watching the sparkling water. There were readers and strollers on the banks, and a tourist cruise ship lay berthed to one side. A queue was forming for the next sailing, and she wondered what it was like to see the city in this way, and whether any queuing tourists would mistake her for a native. Une vraie Parisienne.
She started heading home, cutting across the square at the back of the Pompidou Centre, down rue Rambuteau, and up rue du Temple, to Place de la Republique. It was about a twenty minute walk, all in all. She felt that big-city lull and comfort – a peace in the eye of the storm sensation. Millions of dreams and thoughts, all around.
She crossed over Republique, and took the back streets to the canal. Here she paused again on one of the hump-back bridges – slow, placid water, perfect underneath. Two old men were fishing to her right, and a guy working in a video shop over the other side had stepped out for a smoke. The water caught the setting sunlight.
As she reached l’Hopital Saint Louis, she turned her head to the left, and a jutting piece of the Sacre Coeur shone between the buildings. It was illuminated already, though the sun had not completely sunk. Aria rounded the corner and the view disappeared, and now she was on her street, with the old and battered cobblestones. She would be home in less than a minute, and was dying to read Laura’s piece.

February 23, 2010

Part 4: Causality (scene 5)

Filed under: Character : Aria, Character : Frank, Part 4 : Causality — fishinginbeirut @ 10:12

Aria went to the graveyard. Laura was studying, so she walked there alone, a grey-cloud sky impassive overhead. It was a twenty minute walk, heading eastward.
Pere Lachaise cemetery is a city of the illustrious dead. You can eat ice-cream and stare at Balzac. Maps are easily available, celebrity locations highlighted in red. On its leafy, peaceful walkways, one feels detached nonetheless, and to say that it is morbid gives quite the wrong impression. Aria felt light and kind of sad.
She was looking for Jim Morrison, and was excited to be doing so. A curious, simple moment awaited. She followed curling pathways, the map held at her side, sweet anticipation for something so mundane. The headstone of a famous man, the inscription.

Frank stood, reading. On the back of Oscar Wilde’s tomb lay a quotation from The Ballad Of Reading Gaol, a paean to Oscar’s separate status, and the sorrowful life of the outcast. “Good man yourself Oscar,” said Behan upon Wilde’s death. “You had it every way.” Frank smiled in pity, and compassion.
He had never made the trip to Pere Lachaise before, and had often wanted to. Today was as good as any. A dirt-grey sky, a rain-threat. He felt safe in the company of Oscar.
Frank had never really cared about The Doors, but maybe it would be interesting to visit Jim Morrison’s grave as well. His final resting place, after a lurid, bloated life.

Aria stood in wonder. This was fascinating, the simple, unadorned headstone, just James Douglas Morrison – no graffiti, nothing. A guard hovered nearby, making sure it stayed that way. Someone had placed a feather and an arrow on the ground. There were a few tourists circling, and then a young, scruffy guy arrived on the scene. His body language was uncertain, ill at ease.
He looked to be in his mid-twenties – tall and thin, but really not her type. She turned away. Now he was looking at her. She flicked her hair and swallowed; not feeling uncomfortable, just standing still. Yes, he was watching her all right. The guard’s radio crackled alive, and she flinched for a moment, and her eyes met this stranger’s, briefly. She saw his flickering pain.
Frank gazed at this beautiful girl, her long hair and gentle dark eyes, and thought himself desperately ugly, and blinked. His head lowered, and he coughed.
Aria smiled in kindness, but he didn’t see this, and then he turned his back and walked away. It was all too much to believe there were girls like this right now. If he was never going to touch what he held in his dreams, it was best not to fall into such reverie. Things just happen, eyes meet.
Frank left the graveyard, and descended into the Metro station. He jumped the barrier after an old man, kicking the gate to pass freely through. When the train came he boarded quickly, his stomach rumbling now, his nose cold. The carriage rattled, steadily.
Back on the surface, Aria wandered round. She passed writers, artists, and whole families with German names, all buried equally, in the soft tended earth. She paused in thought on a bench.

February 19, 2010

Part 4: Causality (scene 1)

Filed under: Character : Aria, Part 4 : Causality — fishinginbeirut @ 10:20

The car pushed through the world, in darkness. The girls were happily drunk, talking and laughing in the back seat. Aria knew she was going to get hiccups. The taxi flashed down the Right Bank Expressway, and she craned her neck around to see the Eiffel tower. At night it gave her goose bumps.
It was April. The car ascended, and began moving northeast towards Republique. Aria fumbled for the fare, not wishing to delay the man when they got there. They were dropped at l’Hopital Saint Louis, and walked home in two minutes. Laura started making toast.
“Do we have any of that wine left?” she asked over her shoulder, scanning the fridge for butter. Aria saw a half bottle on the counter.
“Yeah, there’s lots.”
They drank and ate, the light flickering softly, the bulb nearly gone. It was cooler now than in February, especially at night. March had been fine, and now April had taken this little dip. Presumably it was temporary. Aria worked in a café selling Swedish bread, American cookies, and overpriced French supermarket soup. Very rarely did she misunderstand an order, and Laura was amazed by this. Two months is not long, when you’re trying to pick up a language.
Laura always said it was to Aria’s advantage that she’d never done a French course, but Aria wasn’t sure about this. Whether it was true or not, not a day went by without Laura cursing her Sorbonne study. “Je deteste le grammaire,” she’d shout, screeching and laughing at once. The windows would shake when she did so.
They had jam, butter, wine and bread. They spilt crumbs everywhere. Aria loved this French wine, its simple, correct taste. Red wine in the evenings was lovely.
They heard a noise from outside. There was this guy who kept coming around, shouting obscenities about American girls. They heard the sound of a trash can being kicked, and knew it was him. He called out now about American foreign policy, and the treatment deserved by degraded American girls. He cursed and swore. Aria hated this, much more than Laura did, and she was terrified to even look out the window. It made her feel sick.
After a while he left. It was probably only five minutes, but it felt longer. Aria rolled her shoulders. Laura peered out to check he was really gone. It was bad enough having strange, silent men eye you malevolently on the Metro, without feeling trapped in your own home. They drank some more without speaking.
The evening had been fun; out in a few bars, exchanging a few glances. They tried to dwell on this part, rather than the other. Why wouldn’t that jerk just leave them alone? The toast was only half-eaten, and it was cold now, and Aria felt sad and ashamed just looking at it. This guy dug up her past for her unwanted, and the fact he didn’t know what he was doing was slim consolation. She felt small and unsure.
Soon after they went to bed. Someone was revving an engine, again and again and again, and Aria lay in silence, listening. She pulled the blankets tighter, and thought of her mother and sister. Two months was the longest she’d ever been away, and a little sentimentality can be excused now and then. She cried softly, and felt warmer.

February 16, 2010

Part 3: Blue, July – Sept 2002 (scene 13)

Filed under: Character : Aria, Part 3 : Blue — fishinginbeirut @ 10:05

Aria ate quietly. After, she washed the spoon and bowl, and replaced them where they belonged. She stepped outside. The garden was bathed in sunlight, some clothes hanging on the line. She smiled at the sight of her little sister’s pyjamas. When she was fourteen she had crouched out here in darkness, smoking a Marlboro Menthol with Laura they had taken from her mother. Coughing and spluttering.
She looked around and kicked gently at the grass. A radio could be heard from the neighbour’s. Every now and then the feel of the sea entered the garden, and it did so now, wonderfully. She breathed salty air. She went over and touched the clothes, kneading them in her palms to check for dampness. None remained. Her sister’s pyjamas, her own T-shirts and jeans. Her mother’s red blouse. All were dry and flapping.
Clothes feel different. From each other, and in wet and dry states. It would be possible to correctly identify your T-shirts, blind-folded. Possible with practise and awareness. Aria closed her eyes and experienced the fabrics, the clothes on the line in the garden. She stood on sun-warmed grass.
She was thinking of Paris all the time now, and took this as a sign of further improvement. The future was seeming very possible again. She rubbed her tongue over her teeth, and could taste the remnants of cereal. Sugar and mushed up wheat. A bird alighted on the grass nearby, a magpie. One for sorrow unfortunately, but then it was joined by another, and she laughed out loud at this lucky spectacle. Black and white birds, who would kill each other for a shiny piece of crap.
“What are you thinking?” asked her mother.
Aria hadn’t heard her approach, but wasn’t startled.
“Oh nothing, just thinking.”
Her mother drew up alongside, and smiled, ruffling her daughter’s hair. All of this had been hard on everyone. The magpies took off, one and then the other, and her mother squeezed her shoulder gently.
“Two for joy honey.”
“I know it,” said Aria, and they took each other’s hand. Sweet breeze ruffled grass.
“You’ll be able to go soon you know.”
“I know.”
“The past won’t even matter.”
Aria was amazed by her mother’s strength. The shock of what she’d learned and dealt with. Her daughter had been driven to a shadow world of pain. Benny the absent father, who’d left so long ago. Hollow, desperate, amateur photography; sad, explicit poses. Aria, attempting to repair the breech of childhood night abuse. Mother and daughter had been forced to educate themselves on trauma, but had emerged stronger, clearer. Despite the sometime ache, the past contained the worst. Aria had reclaimed herself.
The cat joined them in the garden, and little Anna too, just dropped home by a neighbour. Eight year’s wise, a pretty little girl, jumping and laughing on the grass. Describing her day in detail. Pictures and games at summer school.
They all stood together, a broken family no more, and early next year the eldest daughter would leave for France. Aria plaited Anna’s hair. What promise in the Parisian air; what would happen, who would she see? A white cloud drifted by, looking like an oval, or maybe like a plane. Yes, looking like a plane, singing softly of possibility. Anna counted her knuckles.

February 9, 2010

Part 3: Blue, July – Sept 2002 (scene 9)

Filed under: Character : Aria, Part 3 : Blue — fishinginbeirut @ 10:11

Aria spoke to Laura on the phone. Her mother would not be happy with the expense. San Jose to Paris costs a fair amount per minute, but friendship is important, money somewhat less. Laura had recently met a guy called Lukas, and cooed down the phone as Aria just laughed. He was a writer.
“So when do you think it will be possible?” Laura asked.
“Soon,” said Aria. “Soon. I think maybe a few months, or a little longer.”
“That’s cool. I’ll be here.”
Aria twirled the phone cord, and felt happy and sad at once. She knew that she was mending, but memories remained. Would they always? She ran her foot along the kitchen floor, moving back and forth, speaking low to Laura, who’d never let her down. Tears welled. She cried and laughed while talking, so good to hear this voice, the promise of the future all sweet and almost real. They laughed like little kids. The cat appeared beside her, blinking and relaxed. It yawned its peaceful greeting, the way it always did. Love circled.
“So tell me how you’re feeling – I really want to know.”
Aria told her, was not ashamed with Laura, did not feel wrong or dirty, or sickened by her past. Strength is unquantifiable. Light played on the lino, engulfing the cat as the day wound on, and they talked without remission, so much to hear and tell. Her mother came back, wasn’t angry at all really, and let them keep on talking, to see her daughter smile again.
Aria felt so happy. So tingling, shining, moving happy, talking to her best friend on another continent. Already this moment was crystallising, being stored deep somewhere warm, because she knew while in it how truly great it was. She was remembering and experiencing at once. She felt the cuffs of her sweater against her wrists, paid attention to this while talking, and noticed her body growing warmer, more relaxed. A stiffness seemed to melt. She moved her neck and shoulders, rotated it’s called, and placed full awareness on her cheek against the phone. The fridge touched her elbow.
Laura said something in French. Aria was momentarily confused, but then Laura explained that some guy was asking how much longer she was going to be. Aria tried to imagine the view from a Parisian payphone standing in her kitchen, west of San Jose. She was sure image and reality didn’t match.
“Anyway,” said Laura, “ I won’t stay too much longer. Now there’s an old woman behind that guy who was hassling me. I’m causing a jam.”
Aria heard the sound of other voices. They said their goodbyes to one another, ending with a promise to be together soon. Aria listened to the line going dead before she herself hung up. The city of Paris shrunk into nothingness, her portal having closed, the living breathing difference no longer hers to hear. She stood silent in America.
An empty cereal packet lay on the counter, with a smiling cartoon character holding out a spoon. She ate this stuff for comfort, and the cat played with the box. Aria stayed inert, the day pulsing around, and felt a little tickle, deep behind her nose. One time they’d made her cut her toenails, when they were too long. We don’t shoot nails and shit they’d said. She heard a bird through an open window, but not from the kitchen; from a window open somewhere in the daytime rhythm house. She saw dust peeping out under the fridge.
The cat rolled on his back, shimmied across the lino, and scratched playfully at her jeans in his upside down position. His belly was soft and exposed. With his twitching unconscious whiskers, and carefully sheathed claws, his love and trust were neutral – clear and evident. She watched in slow affection. Truth is both big and everyday, profound and commonplace, and sunlight on a surface is as pure as burning hope. To travel, to care, to love and to be loved, to nurture one another in the darkness and the pain. Things are hardest at the point of desire.

February 5, 2010

Part 3: Blue, July – Sept 2002 (scene 5)

Filed under: Character : Aria, Part 3 : Blue — fishinginbeirut @ 08:39

The dog was on the roadside. His tongue fell from his mouth in a perfect expression of defeat, and his blood stained the tarmac in a semi-circular arc. A dead dog in the dream time. Flies were buzzing; landing, invading, and raw, and Aria stood sadly. Heat haze rose about, shimmering and delicate, and she put her hand to her mouth, child-like, deriving shallow comfort from a stance of blue compassion.
She stepped down onto the beach. This time one week ago she should have been landing in Paris, but she wasn’t ready yet. Laura had understood. Aria had made enormous strides recently, but it was still a little soon to just jump on a plane and go live somewhere new. She pushed back her hair and breathed deeply.
Gulls darted overhead. There were people visible in the middle distance, the tide way out, and the people out there also, walking, scattered, where the ocean licked the land. She could turn around and see occasional traffic, or could re-focus her attention on these dot-like figures, but neither image allowed for sound accompaniment. She heard nothing but her own breathing and footsteps, and the circling overhead birds.
Her trainers were caked in sand. It was wet, slushy, a heavy clinging sea-sludge, and the sky was overcast now, although the humidity remained. Santa Clara July. There were little marks in the sand-surface, where worms had buried and emerged, with speckled greyish seashells arranged in random curves. She rubbed her foot against the matter.
The grey-white sky was purposeful. Enormous bags of raindrops, hovering, intent, waited to spill and batter, with Aria below. She looked up and pushed hair from her eyes. Someone had dropped a can, a red one, and it lay there in the sand, half-covered and rusting. She went to pick it up but didn’t. All alone with her breath and her body, she realised how far she had come, how distant now was the panic and the fear, the incapacitating nausea of just a few months before. How sad she felt for what she had done.
Then she did pick up the can. She held it aloft, motionless, and cried.

January 29, 2010

Part 2: Aria (scene 5)

Filed under: Character : Aria, Part 2 : Aria — fishinginbeirut @ 15:09

Aria’s new flat was in the 10th. You went up a cobbled street and down a tiny passage. When they got there she was sweating, and she threw down her bags and collapsed on the purple couch. She felt circular tingling throughout her body, with a strong pulse clearly evident, hitting her bones in about six different places. She blinked and looked around.
Laura was glad Aria was here, cause Marie had moved out five days previously, and she’d been sitting waiting for Aria’s arrival ever since.
So had the landlord.
“We don’t know why the weather’s this hot,” said Laura at the sink, dropping ice into two glasses of water. “It’s been on the news and everything.”
Aria drank slowly, and Laura sat beside her. They’d been friends since they were ten. Laura still worked in that restaurant she’d mentioned in emails, the course at the Sorbonne still put all the emphasis on grammaire, and, you remember that guy Lukas I told you about? Well, he turned out to be nothing but Swedish hairgel! A child bawled at her mother, audible now through the open skylight, and possibly audible at any other time also, and Aria smiled sadly, reminded of that baby on the plane.
She started to unpack, then left it, and lay down on her bed. Making the acquaintance of a new bed is unusual, more so when it’s your bed now indefinitely. She rubbed the surface – nail catching fabric. This bed was in a loft, not quite a separate room, up a ladder from the living area, and separable by curtain. Laura’s was the same, in the other room, which contained a desk, a lamp, and a fair amount of the Spanish landlord’s junk. Aria sat up from her bed, and could see traces of Selotape on the walls, where Marie must have put and removed her pictures.
Laura went to work, and Aria had pasta. Leaned out the window, and saw the neighbours leaning back. Her view was of a tiny courtyard – green trash cans about ten feet below, Arabic speaking women eyeing her curiously from windows opposite. She said Bonsoir, and one echoed it back, faintly.
She unpacked to low music. Sat still afterwards, awareness focused on her breathing and her heartbeat. The sensations of her body in this new place. She felt a wave of fatigue buck her, the muscles seemingly tightening and sagging all at once. She followed a tingling from her left cheek to her neck. The things we sometimes do, and the sadness it can bring us. Her head turned to the left, her wrists buzzing warm and ready. Warmth spread now, limbs and heart and soul, breathing coming freer, and teeth releasing tongue. She smiled, and yawned.
Sometimes in her mind she heard the clicking of the camera. Less than before, but sometimes. That oh so strange feeling positioned there before it – a feeling so exciting it was frightening and sore. A headlong wildness, and the genuine belief she was nearing some completion. Her own body glowing, vulnerable for the lens, with the muttered dark instructions, talk of tits and ass and pussy.

*

The next day they saw the famous things. They took the Metro to Anvers, and there was the glorious Sacre Coeur. Aria was thrilled. It was crawling with the sightseeingly minded, but the sun was high and clear, and together they gazed calmly at the shining Christian white. The city stretched before them as a rounded peaceful whole, looking ancient, perfect, and utterly deserted.
“I think it’s great that you’re here now,” said Laura. “Better late than never.”
Aria turned to look at her, the railing rubbing her arm, and they hugged right there in silence, below the tourists and the domes.
Montmartre was warm and quiet, the crowds of the Sacre Coeur left easily behind. They walked the streets in secrecy, ascending and descending steep steps and gradients. Birds sang songs of parochial self-containment, and the two American girls drifted, not caring to do more than walk alongside one another.
“It makes me think of home,” said Laura. “Although it looks nothing like it.”
One hour later, atop the Arc de Triomphe, Laura’s phone rang. What followed was indecipherable to Aria, and not particularly like her language tapes. She strained to catch words and phrases, thinking she recognised some but not sure, and gazed down the Champs-Elysees at the trafficked lines of shining metal. Americans, Spanish, and Northern Europeans gazed with her. Laura got off the phone and they moved around the different sides. Put a coin in a creaking telescope. The streets came alive for Aria as she squinted, people and vehicles moving, like tranquil earth revealing teeming ant life in the eyepiece of a microscope.
Horns were occasionally audible. Shape and movement in the map-like distant streets. Laura took a turn to look, and Aria was asked to take a picture by a grinning Finnish couple. A child in a soccer jersey dashed past, too low to be caught in the viewfinder. She strolled around and looked west, the sun hitting the glass of the nearby La Defense skyscrapers, radiance held there like sheet metal, making her close her eyes and see red dots, flashing.
They clattered down the steps in the company of many, eyes needing to grow accustomed to the gloom. It was quicker going down than up. Back on the street, they craned their necks to where they had just been, other people mere specks up there now, and probably some of the same people too. Ice creams were in order. They sat down on a bench – squealing tyres and Japanese tour groups. Mushi, mushi. The men eyed them attentively, their near-identical plaid shirts holding pens, cameras, and foldable city maps. Their wives chatted absently. What words describe the sound of Japanese? They made memories for development, and set about the business of collective monument entry. The traffic circled crazily, on what is apparently the world’s first organised roundabout.
Aria and Laura spoke of San Jose. Of streets, incidents, and middle aged women with day-glo hair. Of high school. Laura said she never wanted to go back. They sat for a while, awoken to nostalgia, and stood up then in unison, and left.
Laura took Aria by Pont de Bir-Hakeim, cause this is where Marlon Brando walked in Last Tango in Paris. They stood midway across, looking down at the tree-lined solitude of Allee des Cygnes. An old man sat on a bench hanging over the river, and the sun went in behind a cloud. Crossing the road to the other side, and remaining at the midway point, they stood in full view of the Eiffel Tower.
Laura took out her camera, and Aria stood in an alcove commemorating something she couldn’t read. A light wind took up, the sky and water grey now, and her hair was fluttered gently.
“So here’s your big Paris photo,” said Laura, the camera strap catching on the belt around her waist. A siren somewhere softly dopplered, and the American girl was snapped before the monument, in the sweet year of the Christian Lord, 2003.

January 24, 2010

Part 2: Aria (scene 1)

Filed under: Character : Aria, Part 2 : Aria — fishinginbeirut @ 11:08

The airport in San Jose is called Mineta. She sits there waiting, her hand luggage on the seat beside her, the rest already checked in. She keeps bouncing her foot, cause that’s what waiting is all about. It’s a daytime flight to New York, then an overnight to Paris. There is waiting before take-off, and waiting between flights.
The humming artificiality of airports affects people unknowingly. There is stress in travel preparations, stress in morning crowds, in electric lighting when it’s clear and blue outside. In baggage, queues, insanely loud gum chewing. In theatrical personalities standing right behind you.
But there is beauty too. Aria is more excited than nervous, and she no longer falls prey to common external stressors. She has a sweet soul. When you sit near the enormous windows you can see the planes taking off and landing, and the tiny men in orange jackets somehow directing the chaos. You can see birds, sun, and the endless expanse of runway. You can see your city’s buildings, a distant glinting skyline.
You can find calm within the hum, and embrace how you feel right now, sitting on this chair. You can see yourself at five and you were splashing in the ocean, and on this airport chair feel that tingling in your legs. You can carry all your heartbreak, that time your father touched you, that man you trusted so completely, and you just didn’t know what to think or what to say.
On the plane the stewardess pointed out the exits.
“In case of emergency, inflate the lifejacket by pulling firmly on the cord.” Aria listened attentively. A big fat man two rows in front stood up too quickly and whacked his head off the air conditioner adjuster knob. “Jesus Christ,” he muttered, and the stewardess bade him be seated.
The population of San Jose is 1 million. Aria lives outside the city, near the coast. Many people speak Spanish as their native tongue, and many others learn it in school. ¿Donde esta el Ministerio de Defensa por favor? The summer nights are warm and balmy, so often children just sleep under a simple cotton sheet, wearing nothing at all. Peaches, apricots and other fruits are grown for business and pleasure.
She sleeps and wakes up in New York. Missed the aerial descent, missed the glaring absence of the Twin Towers on the Manhattan skyline. The fat man’s laboured breathing as he fished a bag out from the compartment above her head woke her upon landing. He generously got hers while he was up there, handing it to her carefully, and they all filed off together.
“I do not know what to make of this place,” he told her as they shuffled up the tunnel, emphasising the ‘what’ like a Texas cowboy rancher. Perhaps that’s what he was.
There was a five-hour wait for the Paris connection. She spent it by the window. Once she turned around and spied the cowboy, way over the other side of the terminal, sitting down eating a sandwich, until he was eclipsed by six extremely animated Asian women, all wearing matching white jumpers. It grew dusk, and then dark. There was so much talking among the throng of people in the place it almost seemed like there was silence. People swirled around, telling jokes, reporting to companions on boarding time updates, looking nervously about for toilets. Night-time now, and she felt she might be too tired to sleep on this final journey. Crestfallen momentarily, she suddenly looked up happily, and remembered she was going to Paris.
There was minor turbulence halfway through the flight. It woke her as the dawn broke. It was untroubling to most, but one woman began hyperventilating. Rapid gasping could be heard towards the front, as her body dragged in extra air not truly necessary for this experience. A paper bag and a soothing touch helped restore the oxygen imbalance.
Aria officially turned nineteen ten minutes after. February 6th. She placed her hand on her abdomen to feel the gentle rising falling, and smiled. So this was her nineteenth birthday. Clouds formed God-like formations out the left-hand window – heartpiercing endless death white, crystal heaven sun stabs. It was nearly too much to look at. The aching destined blue of the uninterrupted sky, stretching out unending till the rational explodes. The space, and the calming airplane breath hum, that sends you half to sleep.
She read the in-flight magazine, and drank some water. Time passed. Somewhere someone coughed, amidst the low scattered chatter and the intermittent toilet traffic. There was an article on Berlin, “Europe’s City Of Wild.” It said the whole city centre had been undergoing rebuilding for some time, around Potsdamer Platz. She looked at a picture of a crane filled skyline, and thought it beautiful.
Flicking through the magazine, she was hit with credit card advertisements, fold-out perfume samples, a black and white photograph of Vienna. She returned to the Berlin article. The writer mentioned an abundance of drug use in Berlin. He attempted to speak knowingly of this for a paragraph, but then returned to detailing tourist attractions. The Memorial Church, the TV Tower at Alexanderplatz, built to facilitate spying on the West over the wall. The Brandenburg Gate. She looked at little pictures of these, all backed by a sky that seemed too poetically pink streaked. Enhanced tourist-baiting mood shots. She got up and walked the length of the aircraft slowly, cause what is that blood disease airplanes give you now.
Later more drinks were brought, and she had orange juice. Her legs were restless and tired all at once. She could see the ocean down below, minute seagulls darting, sea-spray. The radio on the armrest had a station playing reggae, but only her left headphone was working. She was getting mostly bass at the expense of treble, and the system was fuzzing under the strain.
Paris was growing nearer. A snake of excitement wriggled in her back, liquid-like, momentarily. She sensed into her body on the seat. A baby started crying, but then changed its mind and laughed. It gurgled and cooed to itself for reasons unknown, and Aria couldn’t help smiling. Was this a boy or a girl she was hearing?
Someone started using a discman, and a stewardess ran frantically down the aisle in search of the culprit. Upon discovery, she issued the hapless baggy-jeaned teen a lecture on the dire effect it could have on the cockpit controls. He flicked his fringe out of his eyes and stared at her open-mouthed. Her cheeks swelled puffer fish-like as she rebuked him. His knee started jumping, and it grew harder to feign nonchalance. The stewardess noticed this, sadistically upped the tempo of her tirade, and Aria felt sorry for the guy. She tried to smile at him when the woman left, but his eyes were boring holes into the seat in front, his body rigid.
And so the flight ended. The plane touched down, all shudders bumps and hiss, and Charles de Gaulle flicked by as they taxied. Sun shining. She stayed seated till the fasten seat belt sign had been switched off, was careful when opening the overhead compartment, lest any luggage had been dislodged. She didn’t steal the headphones. A sunlight laser shot through a far window, illuminating dust rising off the seats. It occurred to her that this much dust was everywhere, whether it could be seen or not, and she tried to breathe less. Her bag strap felt slippy in her slight palm sweat. She readjusted her grip.
Queues, passports, conveyor belts of other peoples possessions, and hers somewhere in among them. How are these bags treated by the handlers? If they could talk, would you weep to hear their sorry tales? Unnerving histories of falls and dismemberment. She saw her own swinging around, and dragged it off onto one of those euro deposit trolleys. This euro was what they all used in Europe now, right? It was a strange little thing, and would grow stranger still when she later came to see how it would dictate her life in Paris. Existence with a pocketful of coinage. She felt it jangling in her jeans.

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