Fishing in Beirut

March 12, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 8)

Filed under: Character : Johnny, Part 5 : Natural Light — fishinginbeirut @ 09:43

Johnny got out while she slept there. Got back on the street in a rush. Outside he wandered aimlessly, walking down rue du Ranelagh, and reaching Avenue du President Kennedy. He ambled alongside the river.
He continued down Avenue de New York, then finding Place de l’Alma. He was hot now. He couldn’t decide whether to get the Metro here, or just keep on going. He troubled someone for a smoke. He ventured on, passing bridges for Invalides and Alexandre, and stopped at the obelisk. The hard-on of Place de la Concorde.
He walked nearer and wished he hadn’t, feeling ridiculous when some tourist requested a photo. But then this alone made him smile. Why not oblige these people, take their picture and be part of their lives. Enhance or establish a memory.
He began hoping he’d be asked again, and then he was, by a bubbly Japanese couple. He positioned them and made them say cheese. The wind took up out of nowhere, and laughs splintered lost in the gale. Half-heard, and disappearing.
Johnny sat down on the wall, and watched as the people moved on. New ones arrived in the meantime. He cleared his throat and spat phlegm on the pavement, coughing. A child skipped on by like a song.
Back home he called Melissa. She came around soon and they fucked. He pulled out and went to the bathroom, not wanting relief in her view. He groaned as the life hit the bowl.
She made coffee and he cut his fingernails. The sugar was hard and congealed.
“Tu penses qu’on peut etre ensemble?”
He ignored her and answered the phone.
Night fell and he’d done nothing. The light bulb refused to go on. He’d been here alone since that phone call, four and a half hours previously. He stretched out his hands in the dark.
On the street he felt marginally better. It was rare he just went for a walk. He passed down rue Doudeauville, with some unfortunate lying injured outside a kebab shop. He was moaning away to himself. Johnny turned left and kept going, passing the Metro station, and hitting rue de Clignancourt. He crossed over into Montmartre.
He took rue Custine, climbing steeply, and approached the Sacre Coeur from behind. The light was a radiant beacon. There were a few people around, but not hundreds, and he leaned on a fence looking down. The vast Parisian basin. Lights flickered everywhere, twinkling, and the orange of the Tour Eiffel. He yawned.
There was not much to think in this moment. It was best to just stand there and stare. He saw the multi-coloured pipes of the Centre Pompidou, Notre Dame, the river. This was home to him.
In the flat he boiled some water. Drank it to warm up his bones. A spider scuttled along the sink edge, and vanished unnoticed through a crack. Johnny climbed into his bed.

March 11, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 7)

Filed under: Character : Frank, Part 5 : Natural Light — fishinginbeirut @ 09:17

Frank’s cousin Paul went to heaven. Frank and Danny took a pew. There were great uncles, distant aunts, second cousins, and crying girls. An Irish-American dynasty. Frank had met Paul occasionally, as a child at weddings and births, when Paul had flown to Dublin. He’d been kind and simple and strange.
Frank felt some pain in his ankle. He gripped the crutch. He was morphined for the morning, gazing serenely at the rituals and robes. Dan dropped his keys and they clattered.
Afterwards, groups gathered and whispered, intoning gravely in a hush. Efforts were made to ignore the inappropriate comments of children. Frank met his relatives randomly, some known, others not, the rest half-recognised from pictures. One of them mentioned his sideburns.
Driving home, they stopped off for fast food, the burger and the wrapper indistinguishable and one. Dan outlined the family tree. The history of the bloodline on Frank’s mother’s side was long in Chicago and New York. Ancient ancestors. Frank listened with interest, conjuring up images of the dust bowl and before, uncaring of whether this was relevant or not. The harshness was romantic.
There were alcoholic layabouts and eyes filled with tears. Journeys across country in the snow. There were marriages that were scorned and religions renounced, and Frank thought of uncles in sharp pinstripe suits. Were they driving the Ford Model-T?
Back on the road the highway was clear, and Frank found a station for the religious right. They listened momentarily to the brimstone and bile, until suddenly it wasn’t funny anymore. The silence was better.
“So why did you come here?” Frank asked.
“For the change.”
They drove on, and Dan continued.
“I was fed up in London, with the people and my job, and when I finally got my green card, that was it. There was no hesitation.”
Frank rotated his ankle.
“And did you sort out a flat?”
“I stayed with my cousin, Maire. She was at the funeral too.”
“For long?”
”Yeah, for a while. My first flat, I shared it with Rachel.”
The American landscape flashed by as they went, all concrete and build-up, with spaces between. Big cars and restaurants. The El passed alongside, as they came up towards home, and Frank heard the rattle, though his window was closed. The track shaking.
They told Rachel what happened, in the living room of the house, and Jack sat on her knee, listening. His eyes moved from one to the other. He dropped his spoon and peered down at it curiously. It was gone and that was fine. One of the dogs shuffled over to inspect it, wondering if it was food and leaving when it wasn’t. It sneezed as it left.
They drank in the basement in the cool afternoon, and Dan told a story of when Paul took him out. Some dive-bar on the southside. It had been winter time, snowing, and Paul had been drunk. All the world drunk on nothing – that’s what Chicago felt like sometimes. Dan finished the story.
At night Frank walked the dogs. He limped around with the crutch and a can of Old Style, and they padded ahead in the moonlight. The streets were a dream then, in the darkness and peace, and the trees in front gardens were lonely and strong. There was magic.
The evenings were still grand, but they’d soon grow much colder. Then freezing. He had hats and gloves in his wardrobe. He’d been warned before coming, pack plenty that’s warm, and he’d done so obediently.
All of the houses were fronted with wood. Porches. Hanging in these was a lantern or light, and some held a wicker chair or similar. It was old-fashioned. Frank moved by slowly, stopping if needed, and studied them. He was happy here in this winter world.
As he eased round the block, he came to the bridge, and stood solitary upon it. The El passed underneath. He made out a large group of young people within, students no doubt, on their way downtown for drinking. He finished his can, dropping it in a bin.
The dogs breathed beside him, and the train sound diminished till the silence returned. It was gorgeous. Frank on the bridge was the lord of the nightworld, the sentry of silence and of being alone.
“Come on,” he whispered. “We’re going back to the house.” They bounded ahead into stillness. He followed in wonder, alive to it, a man with his dogs and with sweet nothing else. This was God-given. The morphine in his bloodstream was slow and at rest, like a spirit level.
The lights on that bridge were like nothing on earth. From the Sears tower, and the Hancock. Massive, looming skyscrapers, street lights in unending rows. A helicopter. Back in the house, Frank went to the basement, and with nobody down there he rolled up a joint. At the bar counter.
He drank Ten High Kentucky bourbon before sleeping. The ice melted into the glass. The lamp by his bedside could be brightened by degrees, touches on the stem adding wattage if required. It brightened, brightened further, then turned off.
He was reading a story about memory. He was melancholic from the subject and the drink. He thought of Berlin, of his life and his leaving, and put down the glass on the locker to his right.
With the room dark once more, the world totally emptied. It was sealed off and separate. Frank closed his eyes and rotated his ankle, and a sharp line of pain shot right up through his knee. He felt tingling, then nothing further.

March 10, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 6)

Filed under: Character : Karen, Part 5 : Natural Light — fishinginbeirut @ 08:39

She’d moved in the day before. It was down near St. Sulpice. She was still organising things, shifting the furniture around. Honing her specifications. She picked up an ashtray and placed it back down. Janey had friends who were smokers.
Karen was having a flat-warming this Friday night, in two days time. There was work to be done before that. Unpacking, arranging, some decoration. Home-making.
In the kitchen she drank some water, rubbing the sink-top surface. Allow all these things become familiar. She walked around on the linoleum slowly, and there were places that squeaked and places that didn’t. There was a lump near the doorway.
Janey had promised to bring plenty of people, because Karen knew nobody else. Karen had laughed at this fact. She smiled at it now, dusting a shelf, and wondered at who might turn up. She tied back her hair with a band.
She thought of the man who attacked her, but didn’t feel anything now. It was past and irrelevant. In the evening she hung her Beirut picture on the wall. It still held the soul of her grandfather. She went for a walk and returned feeling fresher, eager for newness and life. The fridge made a hum like a kid.
So this was her new city, and the neighbourhood felt right. Central. She’d lived in the suburbs back home. She was close to the river here, to its sound and its sense, and she planned on walking there regularly in peace. A fly buzzed.
She was looking forward to her job. The challenge. To the people, the experience, the simple and the strange. To everything. She was ready for all that there was.
Mom called and asked questions. It was nice to recount what she’d done. She left out the attack altogether, cause Mom would have jumped on a plane. Karen described her apartment, where all her items would go. She liked this.

When the call ended she went to bed. It was late now. Outside on the street two lovers were fighting, the woman berating the man. Karen was asleep when they reconciled.

March 9, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 5)

Filed under: Character : Frank, Part 5 : Natural Light — fishinginbeirut @ 09:17

Frank was holding the baby. His name was Jack and he was seven months old. He waved his arms and shouted with joy. His smile showed a tooth in the gum base.
“Ah sure go on outta that now,” said Frank, amusing them both with the spiel. “What would you be talkin’ about at all at all?”
Jack bounced and tried to look at several things at once, and then Frank put him down, and he sat there eyeing a soft ball. Frank procured it for him. The sun was coming in and stretching on the wooden floor, the American street half visible through the blinds. A pick-up truck trundled by, going the wrong way down a one-way street. Frank laughed.
“When are you going to start walking around?” asked Frank. Jack smiled, and handed him the ball. One of the dogs arrived and sniffed randomly, or perhaps not randomly at all. Frank picked Jack up and took him outside, and they admired berries in the front garden while a squirrel scampered up a tree. Jack turned his head toward the movement.
“Ga,” he said. Frank nodded solemnly. “Ga, ga, ga, gaaaa!”
There was a church a few doors down, ‘the opposition’ his uncle joked. Anglican or Methodist or some form of Protestant worship. The wine just stayed wine for them there. Frank and Jack watched a woman enter, Jack’s fingers catching on Frank’s shirt. Frank felt a stab in his ankle.
The crutch was not needed to walk in the house. It was for downtown, or the shop. If there was no tobacco, no papers, and he was gonna have to eat the grass or do without. If the dogs needed walking in the evening.
Jack wriggled and struggled, and Frank placed him on the ground. He picked at a daisy with interest, muttering some sound to himself. Frank stepped onto the pavement. The street was dead straight in each direction, tree-lined, peaceful. The houses were pretty and low. It was funny to be here, to be in America in daylight, a natural clearness in the October sun. It was funny and benevolently strange.
He felt the morphine buzz, a sealing warmness, and looked up at the sky as a plane flew overhead. The house was right under the flightpath, and this was exciting and nice. The flat in Berlin had been too.
Jack shouted something, and Frank turned around to observe him. Jack was holding the daisy. Frank picked up a leaf and threw it at him, and Jack watched it float toward his face, making no attempt to intercept. His eyes studied.
“That was a leaf,” said Frank. Jack laughed, gurgling.
“That was a leaf that I threw at you.”
Frank wandered over to a bush in the garden, and Jack watched him walk as he did so. A man on a bike cycled past. There was a wrapper or packaging entangled in the branches, a green and navy emblem torn and frayed. A fly crawled along it.
“Did you put that wrapper in the bush there?” said Frank. He had walked back to where Jack was. “Did you put that wrapper in the bush?”
Jack looked at him sweetly, aware that these questions were playful. He understood tone and mock-tone.
“Did you put that wrapper in the bush there?” asked Frank again, bending down and tickling Jack’s ribcage. “Cause if you didn’t, who did?”
He picked him up then, and they went inside.

In the evening, Frank and his uncle had a beer in the basement. This was the set routine. They sat at the old bar on barstools, studying the chessboard by lamplight. Frank’s days were numbered.
His queen was gone, a bishop too, and all of his enemy’s pieces had cordoned off routes of attack. He moved forlornly.
“Are you sure you want to do that?” said Danny. “I reckon I might have you if you do.”
Frank placed it back.
“I think you’ve probably got me anyway.”
“I suppose that it’s lookin’ that way.”
They played on for a while, and Dan won. He cracked his knuckles in victory.
“ I better go upstairs for a bit.” He finished his can and left.
Frank looked around, at the couch and the exercise clutter. A stationary bike and a treadmill. He stepped up on the treadmill and started walking at a low setting, loosening his ankle and making it warm. He liked the sensation at this pace.
There was a mirror over the far side. He watched himself, walking, and he thought he looked so thin. His forehead was creased into a frown. Consciously relaxing it, he realised how it was always like this now; furrowed, tight. He loosened his elbows and shoulders.
A dog padded on the floorboards overhead. He heard the scratch of its nails. Then the other one followed, more a scamper or a run, and Frank stretched out his arms, feeling tension ease.
In bed he lay with his discman. The comfort of low Leonard Cohen. Show me slowly what I only know the limits of, dance me to the end of love. He touched a sweet tear on his cheek.
The room was bathed in Chicago blue. His crutch held the wall. `He sat up and turned off the sound, and there was perfect, perfect silence. He put the headphones on the quilt. The streetlight in the laneway flickered outside, leaning over the chain link fence of the garden. The spirits could pass unobserved.
Frank watched all this stillness, this Hopper tableau brought to life. What joy in a pure lack of motion. The light died, went out, extinguished. It ceased. Frank and the world did not move. He yawned suddenly, and a delivery van pulled up. Brown. UPS. The driver got out with a package, and briefly entered a building. Then he drove off again.
The night had become early morning. Frank felt some pain in his leg. He leaned over for two codeine tablets, and swallowed them with water. The taste of the water was stale.
He lay back down and pulled the covers. The discman was next to his head. The headphone wire touched his neck, but he pushed it away with his eyes closed. A bird broke the silence with song.
Soon his uncle would let the dogs out. They would chase down the steps out the back. Frank was partitioned from the back door by curtain, and he heard it open every morning, and felt air. When the dogs went to piss it made him have to.

March 8, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 4)

Filed under: Character : Aria, Part 5 : Natural Light — fishinginbeirut @ 08:37

Aria was late for the lesson. She ran down the corridor, dropping books and sheets, and her trainers made a squeaking sound like tyres or mice. She entered the classroom and sat down.
This was the last October they would be in school. Laura had mentioned this earlier, and Aria laughed gladly, not thinking of it that way. Come next June they were finished. She found the right page in the geography book, and tried but failed to relax. She had 200 dollars in her pocket.
She had come home pretty late the night before, shaking and a little bit drunk. She’d been nervous before the shoot. Some whiskey had calmed her sufficiently, and she’d posed in the way they asked, feeling a high from their stares. That super-attentive attention.
Today she felt stressed-up and guilty, and wanted to do it again. It was always like this. Her mind was a swirl full of chatter, and the teacher couldn’t hope to compete. Aria was lost in her thinking.
Later in the cafeteria, she ate about half the meal. It was nice but she just didn’t want it. Pushing away the plate, she got up and went to her locker. She put the money inside. There was a picture of her mother and Anna there, tacked to the back of the door, but Aria didn’t want to see it now, and shielded her left eye with her hair. She slammed the door.
She skipped the next class but went to the following, and it was boring and hard to keep still. She chewed on her pen as she listened.
Math made no sense in this moment, the sum totals blurring from afar. Her heartbeat was getting annoying. She jiggled her knees, but that moved the desk, and soon other students were watching. She fidgeted.
“You can leave if you won’t stop that moving.”
She stopped. This was a stupid way for a teacher to address a seventeen year old, but it shamed her into inertia. She scowled at the math on the board.

“I’m doing this for you Aria. For all of you.”
At home she lay in her bedroom. She was getting more tired each day. Her lips twitched, and her limbs jumped occasionally. She struggled with imagery unwanted. This was not a great life, she knew that. Something was definitely wrong, but maybe this work could correct it. She felt it might wash it away.
The room seemed to swim momentarily. Her head throbbed. She sat up and her fists clenched, and she inhaled deeply. Fuck these feelings and thoughts then. If this was how it was going to be, fuck it. She didn’t have a clue what was wrong with her, and slumped back down in a heap. Her shoulders and neck felt so stiff.

March 7, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 3)

Filed under: Character : Johnny, Part 5 : Natural Light — fishinginbeirut @ 11:13

Johnny was loathe to admit it. He wanted her. He wanted her and he couldn’t have her, and it growled in his body like an unfed dog. He scowled in their general direction.
She was lounging on the piazza with her legs draped over his. Some day-glo, hairgel, hip boy. Her shoes had been kicked or slipped off. Johnny watched them, this random unknown couple, lounging. He hurt from craving, looking at her there, and wanting her right now. He didn’t even know who she was.
She had a blue top and black dress, and was blond. Her shoes were pretty and white. The dude had some chain round his neck – a whitey down in the ‘hood of his head. He was propped up on one elbow.
“Sacrifice!” roared Johnny, picking up the guitar and forming an E. “Sacrifice tonight yeah.”
The autumn sun caught his watchstrap, as he flicked it rhythmically fast. He loved this Parisian autumn. In a matter of months it would be too cold here, and he would abandon the October light was the best though.

“Sacrifice, for what we have’s not what we need yeah,
Sacrifice, oh no!”

The police idled by. They studied him carefully, feigning ignorance and lack of recognition. One of their radios barked. Deciding against hassling him, they passed on, and he stopped playing and lit a smoke.
“Sacrifice, you fucking pigs,” he muttered.
That girl was still down there. Her legs were long and tanned. He blew a smoke ring, and accepted what could not be. Still, now he had that feeling, and he’d have to find another.
His smoke ventured out into the world; drifting, fading. His phone received a text. A brown and crumpled leaf attached to his boot, and then skitted onward again. The autumn and the dying. Johnny felt like a stranger here, just for a moment, before he stopped and remembered. This was home now. This place and no other.
He checked the text and deleted it. That client was a client no more. Whenever he felt suspicious, he dropped them without hesitation, cause get in trouble here and there was nowhere else to go.
He stood up and stretched his calf muscles. The right one had developed a cramp. Kicking at the air in slow motion, he saw the couple get up and move off. She was not so pretty after all. Her face held a sluttish plainness, and a dissatisfied lipcurl crank. Her eyes were the beads of a magpie.
Johnny spat on the ground, and worked stiffness from his limbs. He swivelled his arms and his shoulders. Blood pumped to the cardiovascular rhythms, and he felt warm, looser. Maybe today was a good one.
He sat back down and sang for an hour, barely ending one song and beginning another. People stopped before leaving. His hands and his voice were at one then, projecting a deepness withheld. This was the soul without censors. A tiny child ran up and put a coin on his knee, and as she did so she gave a tiny sneeze. He smiled in spite of himself.
“Bless you little girl,” he said, and she laughed and didn’t know why. Her mother beckoned her toward her.

March 6, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 2)

Filed under: Character : Karen, Part 5 : Natural Light — fishinginbeirut @ 08:43

Karen got lost on the Metro. She was sure she had counted correctly, but maybe there was something she’d overlooked. Things were tricky in a new town. She had seemingly emerged at Barbes instead of Anvers, and she could hear the sound of some type of market.
A fist dug into her back. He was saying something, scouring her pockets, tiny flecks of spittle flicking on her cheek. She froze, motionless. His other hand rifled her jacket, her jeans, and the fist pressed spinally inward, alert.
A whore, a bitch, he was calling her these names, and while she understood it, she couldn’t form a reply. Her mouth refused to move. His free hand punched her hip, and in that moment she was aware of letting go of her stick. She felt her fingers open, but didn’t hear it fall. Saliva prickled her neck now.
This man behind her smelt of aniseed. His arm around her waist now, his fist still in her back. His right cheek touched her left one. Then he was gone, or maybe he was gone for a moment, before she realised. Her body was shaking and taut.
She shook and sobbed, and felt her skin grow warmer. Not just her skin, but beneath it. Her tears were warm on her face. She cried and shook convulsively, the world receding and gone. Then the everyday life sounds were audible again – cries, shouts, buses. Somebody’s dog sniffed her leg.
She moved to her left and leaned against a wall. She wiped at the tears on her face. The sounds on the street were now clear as a bell, the scuffing of shoes, the coughs. Karen was totally alone. She felt in her pocket and her wallet was gone. Her money and forms of ID. A credit card from home now needing cancellation.
She started walking. She returned to the Metro confused but determined, and moved down the passage in what she hoped was the right direction. She asked someone near her on the platform. On the train she started relaxing, knowing that she’d left the scene. Janey had warned her about this area. Barbes, La Chapelle, Chateau Rouge. Watch your bag, and your person.
She got off near Janey’s apartment, at Ternes. She relaxed further amidst opulence. Remembering the turns to be taken, she reached rue Fourcroy, and entered. Janey was still at work. Karen got some water and sat down on the sofa.
She felt sensations of him touching her. Her elbows and forearms grew tight. She braced herself on the couch, and trembled some more for a while. Warmth spread. Janey returned and they spoke of the ordeal. Karen cried a little.
“I know some people who’ve had stuff stolen up there. Let me ring the bank and cancel the card, so that’s one thing you don’t have to worry about. It’ll only take a second.”
Karen let her do it. She suddenly felt extremely tired, and the prospect of moving at all was unwelcome. She heard Janey’s voice from the bedroom. Karen had made contact with various companies online before travelling, and the response to her resume so far had been good. As soon as she signed a contract, Janey said there’d be no problem finding an apartment.
She settled back in the softness, dozy. Her body was concrete or lead. It was good to be here, despite today’s fright, and she sensed in her heart that the future was strong. Karen was in Paris two weeks.

March 5, 2010

Part 5: Natural Light, Oct 2001 – Jan 2002 (scene 1)

Filed under: Character : Frank, Part 5 : Natural Light — fishinginbeirut @ 08:38

The leaf is the tree, and the tree is the earth. But still they are separate. Frank is in Grant Park, with his crutch beside him. Skyscrapers lunge upward in the downtown city hub. Clouds scurry to avoid them. Frank is in a morphine haze, the medicine supplied by doctors to combat dreadful pain.
To his left is Lake Michigan, to his right the Windy City. Around him trees and grass. It’s morning. He walks for as long as he is able these days, and has taken to sitting in this park. It’s near water. Homeless men drift about, and sometimes they talk to him or wave. If only the pretty girls would do the same.
The previous Tuesday down on Washington, he’d given five dollars to some woman. A beggar, a bum, whatever the term. She could have been forty or eighty. God bless you son she’d said to him, his eyes moistening from a draft. His ankle throbbed with pain.
He has memorised a number of intersections, battling to get to grips with the sprawling city grid. Street names are useless, it’s intersections that give bearings.
His body feels light and tingling; he has more drugs for when it doesn’t. Morphine, codeine, whiskey. The prescriptions for the first two are legal and correct, but the dosage for the third is one he wrote himself. The sweet Kentucky cure.
A leaf blows directly in front of him, skipping. It settles, then takes off again. He follows it with his eyes, his gaze resting on his discarded shoes and socks, placed on the grass in the sunshine. He slowly moves his ankle.
He is plagued by ideas of a perfect alternative life. He gets lost in constructions and conceits. Other places, perfect people. Things hidden. Maybe it’s just the injury, the morphine and being alone. Maybe it’s just today. He feels that in his life he can never say goodbye, can never leave to drift what is meant to float away. His fingertip rubs his forehead.
A group of school children walk past. Boys and girls, laughing pushing, perhaps five or six years old. That was Frankie one time. He clicks his tongue in disgust at this mawkish sentimentality, drugs and pain or not. He puts his shoes and socks on.
Walking back across Madison Avenue and into the city, he feels a shudder at the corner of Monroe and State. His right leg buckles for an instant. His arm grips his crutch, his entire torso leaning, shaking against it. Somebody stares in alarm.
Frank stands still, recovering from the shock and relaxing his muscles. It’s cooler here, with skyscrapers blocking the light. He sees a man get off a bus, his left leg severed at the knee. It makes him feel pathetic, and snaps away his self-pity.
He hobbles down the steps of the subway station, passing through the ticket barrier. The blue line will take him to Jefferson Park. There are crowds on the platform, and he’s self-conscious and totally alone. He feels that his jacket is ridiculous.
The train comes and they shuffle aboard. No vacant seats of course, and he hopes he won’t fall and embarrass himself. Somebody would get up if he asked them, but he wants this even less.
It rattles and shakes through the tunnels, leaving the Downtown area and emerging overground. It’s northwest all the way. Soon he will be home, in tree-lined squirrel suburbia. His aunt and uncle’s house. A deaf man passes out key rings, as the train lets off at Belmont. Four more stops to go.

March 4, 2010

Part 4: Causality (scene 14)

Filed under: Character : Djinn, Part 4 : Causality — fishinginbeirut @ 10:35

The sun rises in the east, and sets in the west. The west is the dying part of the earth, although the opposite appears to be the case. He is comforted by this thought. The west is full of poison, is ravaged by its lust, is slowly disappearing like an image from its screens. He’s aiding an unstoppable process.
He moves away from the window. He flicks his cigarette. As it falls to the street below, the last smoke leaves his body and mixes with the air. The air and Lebanese sunshine. He eats some drying bread, and lights another smoke. Smoke is good for thinking.
Walking in the mornings gives him lightness in his head. Idle wandering in the quartier. There are streets he always returns to, streets he knows like his hands. Avenues. He has circuits that he uses, routes planned in his head, and every single morning he can choose a different one.
A pattern.
Every day is similar, and this is how it is supposed to be. There are few deviations. Stones are in the same place each time he passes. The objects never change. Parked cars, registrations plates, sundry decorations in windows and on doors. People. He’s ghost-like as he passes, shrouded by belief.
Sound commands his focus. The noise of traffic, voices, his own feet as he moves. Birdsong. He listens with attention, walks slowly, and sometimes rolls his fingers, like two spiders on his arms. Arachnid wrist attachments.
Djinn is always thinking of the work he’ll carry out. Perfecting by modification. The plan bounces and rolls in his brain; becoming, changing, real. He holds it like a prayer. On the rooftop in the evenings he whispers what he’ll do. What Allah will do through him.
The sun sets while he watches. Slowly, by degrees. Over time the roof-light changes, shadows falling, lengthening. Temperature goes down. He gives a tiny shiver, but stiffens his muscles to prevent it further. He’s tense as night takes over.
The devil of the west, and the irredeemable wrongs. The sacrilege. He broods on retribution, on the details of the plan. He works and re-works the motions. All around the air is cooling, and his body is a bowstring, holding off the chill. The roof and he are welded.
He has right upon his shoulders. Purpose. He walks the streets, watches the sun, smokes. It’s all prologue. It’s a training ground, a readying, a filing down of matter not needed by his soul. An unburdening. As he stands upon his rooftop, every night is the same, but he can feel within him how the time is drawing near. His eyes close.
There is a near imperceptible wind on his face. Like child’s breath. It massages his forehead and cheeks, in tiny constant jets. He’s motionless. When the student is ready, the Master will appear. He’s a statue on the roof, awaiting divine instructions.
He’s eating some bread made with raisins. He’s smoking his last cigarette. The birds are still singing, the apartment’s been sold. He’s looking at ways of getting to Paris.

March 3, 2010

Part 4: Causality (scene 13)

Filed under: Character : Johnny, Part 4 : Causality — fishinginbeirut @ 22:44

Johnny was at Beaubourg. Michel had wrangled another lesson out of him, and was seated alongside, smoking.
“Both / both of, neither / neither of, either / either of,” said Michel, brandishing a grammar book like a weapon. Johnny’s heart sank. Michel turned to the appropriate lesson, comically flicking the pages in an unconsciously earnest manner. Johnny forlornly eyed the content.
“So all of these words are for two things,” said Michel. “Not much things.”
“Many things.”
“They are for many things?”
“No,” spat Johnny. “You say ‘many things,’ not ‘much.’”
“Ah, yes. Many things.”
Michel paused for a moment.
“But they are not for many things,” he ventured, timidly testing the water. His shoulders hunched.
Johnny stared at him coldly. His mouth opened as if to speak, but then Michel realised he wasn’t going to, and instead confirmed it for himself.
“They are for two.”
Thus the lesson began. Johnny sat there scowling and correcting, and Michel prodded, questioned, and sniffed. Johnny felt a buzz in his jacket every time he got a message. Michel was desperate to learn, and was trying really hard.
“Both of us went to the party,” he read.
Nevertheless, Johnny couldn’t be bothered. He didn’t even feel particularly angry, it was just an unnecessary drag. He started fiddling with his phone.
He stood up suddenly, and announced he was going for a walk. Told Michel to keep studying. He turned to his right and skirted the top of the piazza, disappearing down rue des Lombards and emerging at Chatelet. Bus 58 was parked on Saint-Denis.
It felt good to take a change of location, even if it was only around the corner. He watched the skirts and suits. He thought of jumping on the 58, unsure really where it went, but what was the use. He’d have to come back eventually. A child dropped an ice-cream and roared loudly, and its mother negotiated it onto the bus. The screams grew muffled within.
He scanned the faces for want of a distraction. Get lost in the appearance of others. There were furrowed brows, tourist smiles, and heavy and light applications of make up. His jacket buzzed again. He went and bought a crepe, asking for sugar and chocolate, and the man behind the counter needed convincing he was serious. He ate in a machine-like fashion.
He wandered into a café and drank a cup of coffee. He played X’s and O’s on a napkin. An old Arab man beside him whispered to himself, folding and unfolding a torn off page from a phonebook. Johnny cracked his knuckles.
He leaned with his chin in his palm, feeling his breath make contact with his skin. Warm jets covered his nails. So many people talked and hummed to themselves in this city, at once entirely present, and somewhere far away. He threw a glance at the waitress.
Back at Beaubourg, Michel displayed his knowledge. He seemed to be completely in control of this topic, and Johnny was tempted to ask why he needed a teacher at all. A pigeon pecked a panino.
“You don’t need me for your teacher.”
“Yes, I think that I do.”
“You don’t.”
They sat in momentary silence.
The pigeon extracted a large lump of mozzarella and scampered off. Johnny kicked the remaining bread, wishing to put some distant between himself and it. The Chinese busker wailed.
A girl called Severine sat down beside them. Johnny knew her in passing, and had once woken up in her flat. He tried to recall something else. She told him he looked well, and that she’d been promoted. She was evidently pleased. He felt embarrassed and imposed upon, but was expert at hiding this, and probably merely appeared aloof. She left a short time after.
“That was who?”
“No one.”
“OK.”
Michel went to buy some alcohol.
As they sat drinking in the sunshine, Johnny watched two teenage girls in whispered conversation. Their body language was private, conspiratorial. He felt that they were separate, but still wanted to be seen. He caught a glimpse of bra strap.
Do women have that many secrets, or just a worship of secrecy? He really didn’t know. He turned to Michel and flicked his ear, and Michel said ‘both of the girls are pretty.’ Johnny rolled his eyes. This was German beer, or claimed to be, and the faint metallic taste spilt the beans that it was cheap. It was cheap shit, an insult to the Reinheitsgebot.
They finished the bottles and started on others, content to be drinking in another easy day. Don’t stress yourself, cause half the world will try to. They flicked the discarded tops. Johnny reached round for the guitar, and absently picked a pattern. He put some tremolo on the B string. The teenage girls swivelled their heads, and seemed to agree non verbally it would be interesting to approach. They sat at a respectable distance.
Johnny continued picking. He murmured or hummed occasionally, but was in possession of no desire to erupt into full-blown song. One of the girls began assembling a ponytail.
“Jouez monsieur,” said her companion. He gave her a sly-dog smile. “Jouez une chanson pour nous.” Michel leaned back on his elbows.
The police put in an appearance, and the beer was deftly hidden. Michel spotted them over the far side and placed the guitar case on top of their stash. Johnny went on with his playing. The girls began to talk amongst themselves, quietly, discussing some hope or ambition, or maybe reciting a poem. There was a rhythm to their interplay. Michel kept an eye on les flics.
“So what do you want to hear?” said Johnny. They didn’t understand. He repeated it in French, turning a tuning peg slowly, and when they told him anything he gave them a quizzical look. Hair flicking ensued.
So he played something, anything, and they seemed to be satisfied, or at least pretended they were. He almost offered them beer by mistake. They watched him with wisdom and wonder, or with something approaching those two. They scrutinised. He stretched out his arms in the evening, yawned, and quietly scrutinised back. Michel had left.
“I’m going to tell you something,” said Johnny, standing up and knowing they wouldn’t understand.
“Businessmen are fuckers, and love is impossible.”

« Newer PostsOlder Posts »

Create a free website or blog at WordPress.com.

Design a site like this with WordPress.com
Get started